It's a Mad, Mad, Mad, Mad World (1963)

Why it's here:
Because we love comedy and, since this is the 60s, we were looking for anything to lighten the mood.

Specs:
Epic comedy - 3 hours long; color

Our family's average rating on a scale of 1-10:
8.0

More about the film and our reaction to it:
This is a funny, funny, funny, funny movie. Still. Yes, it's from 1963, but it is hilarious and an extremely well-made film that, though dated, holds up very well. In fact, it feels like you are actually watching the birth of modern comedy take place before you. This film is at the roots of Monty Python and Airplane! and much that came after.

If this gives you any indication of how much we liked the movie: the running time is 3 hours. We watched it twice this week.

The barrage of great icons of classic comedy in the film is nothing short of breathtaking and the humor ranges from silly, to irony, to absurd, to slapstick. But there's more -- The film also goes beyond the sidesplitting fun with a real plot and what seems like a true/honest purpose. I think this accounts for why the film still feels solid and relevant 50 years later.  It starts with a speeding car on a mountain road, and then several strangers who come upon the driver who lies dying after having crashed. The dying man discloses the location of a huge sum of money and a chase to find it is on -- complete with police secretly following. The film is simple - but simply well-made too.

So many scenes from this film have clearly inspired Hollywood movie making to this day, and I found myself constantly thinking: "I've seen that before". From the car chases, the money raining down from on high, the slow fleeing on a bicycle, the deadpan control tower guy trying to talk hapless accidental pilots down, the police operations-center scenes, the hardened cop on the line between good and bad, the guys all in traction at the end, and on and on and on this film includes many moments that have become quintessential in comedy.

All in all this has to be one of our most loved films of the festival so far and we highly recommend it for families!

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Inherit the Wind (1960)

Why it's here:
The double pull of a courtroom drama and an education-related theme. Had to pick it.

Specs:
2 hours

Our family's average rating on a scale of 1-10:
6.67

More about the film and our reaction to it:
We knew the famed Scopes "monkey" trial was the inspiration for the film, but we learned later that the film is actually a very accurate portrayal of the real-life events: the clash of famous lawyers, the climatic "placing the prosecuting attorney on the stand as the defense witness" move, the testimony from the bible, the odd twist of verdict and many other features of the film that screamed like cinematic licence to us, were actually real.

One of the pieces of the film that was so frustrating to me as a lawyer is that legal issues never seemed to come out - it all just felt like grandstanding and bluster. A good courtroom drama is hard to pull off. It has to be dramatic; but it should also be rooted in well-reasoned legal issues that carry a certain truth to them. This one didn't cut muster. The idea of a court trial dealing with a teacher who stands up and teaches according to his principals is such a good one for kids, but, truly, we wouldn't recommend this film broadly for families, simply because it does feel very dated and overblown.

We all agreed though that Spencer Tracy is a fabulous actor and we were glad to have another chance to see him in a courtroom drama. Unfortunately though, the last one was Adam's Rib (1949) and I can't say we liked that film any better.

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Adam's Rib (1949)

Why it's here:
I was drawn to the Hepburn/Tracy pairing, knowing of their famous on- and off-screen chemistry and thought this one, with it's law drama and courtroom humor, might make a good choice.

Specs:
Over an hour and a half; black and white. We watched on a dvd from the library

Our family's average rating:
6.67

More about the film and our reaction to it:
Although both Katherine Hepburn and Spencer Tracy are great actors and this was probably a very relevant and witty film in its own time, it felt more than a bit dated to us.

Curious that Adam's Rib was our lowest rated film since The Lady Eve and I'm wondering if Adam and Eve just aren't where its at for us. . . . I'll be interested to see how All About Eve plays for us next week. . . .

I spent a fair amount of time wondering if I'd made a mistake introducing this material to my kid. The film starts with an attempted murder where a jilted wife follows her husband to another woman's apartment. The themes of adultery and spousal abuse are heavy and, by modern standards, pretty unsettling, though clearly meant to be light-hearted and played for comedy at the time. The film explores the ideas of how spouses mistreat one another and drive each other away. The plot twist comes from Tracy playing the prosecutor who is attempting to convict the murderous jilted wife while the prosecutor's wife, Hepburn, plays the private practice defense attorney who takes on the job of defending said murderous jilted wife.

The underlying marital problems of our defendant/victim couple are mirrored (or maybe prism-ed)  through the lawyers' own marriage as the case gets further along.

These are fairly adult and unpleasant themes dealing with the worst sides of a marriage; though, very loving and caring sides to marriage are shown as well. The film is very sexist by today's standards (though it plays as if meant to be a feminist message). All in all, though an interesting film and clearly well-acted, it is probably not best suited to family viewing.

Iconic shot:

San Francisco (1936)

Why it's here:
I had seen this movie years ago and found it exciting and powerful. The depictions of the San Francisco earthquake are so realistic you have to remind yourself that they aren't actual footage of the event. Very evocative.

Specs:
2 hours, Black and white. I couldn't find the dvd anywhere so we had to rent it on Amazon.
The film is set in 1906.

Our family's average rating (on a scale of 1-10):
7.25

More about the film and our reaction to it:
Unfortunately, the film wasn't quite as good as I'd remembered. But it's still well worth watching. The problem is that it can't quite decide what it wants to be: a rough and tumble Gable male-bonding film, a romance, a musical, or a disaster film. It does all four very well, but your family isn't likely to respond to all the parts equally. In our family, for instance, the music numbers were too many and too long, the dramatic romance also was a bit much. But, once the earthquake happened, well then we were riveted. Families should know that the story is very sad. This is a disaster film and people are shown screaming for lost family members and mourning their dead. Although it has a religious-themed uplifting ending, it will likely inspire some tears.

San Francisco is a lush epic of grand scale and as such provides large scale entertainment value! The scenes of the earthquake are simply incredible. It had to have been a very expensive picture to make judging alone from the number of buildings brought to rubble.

One of the best parts of the movie is its talented cast. MacDonald (as Mary Blake) and Gable (as Blackie Norton) reportedly had trouble getting along off camera, but you would never know it from their chemistry in the film. They have to overcome their class divisions and a variety of misunderstandings in order to find each other, but they are appealing and sympathetic and you want it to work out for them. MacDonald had an incredible voice and belts out the tune San Francisco so many times that we have that permanently scored in our memories now. The film also benefits from Spencer Tracy's touching performance as the priest who is both Blackie's childhood friend and a pillar of support to Mary.

Though the film is long and gets bogged down a bit at times, it is excellent viewing.

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