Why it's here:
I went back and forth on this a long time. GWTW is one of my favorites and I knew it intimately. I wasn't sure whether it would be too tense for the boys, too racist, too long, too romantic. . . I just wasn't sure. Ultimately, I thought, why not just put it in the player and see.
Specs:
4 hours long. We recommend watching over two nights. There is a perfect stopping point at intermission. Glorious Technicolor
The film is set in the Civil War era.
Our family's average rating (on a scale of 1-10):
8.75, making it our second favorite film in the festival.
More about the film and our reaction to it:
One of my favorite anecdotes to share with people about our film festival has to do with this film. After having watched over 30 years of film and about 40 titles, when we got to Gone With the Wind, we were all astounded by its quality. You just can't realize the full power of a film sometimes if you haven't placed it in the context of what comes before. GWTW is simply an amazing landmark film, so grand in scope and sweep, so extraordinarily beautiful to look at and with such a big story, that we could not help but be very impressed. Had I simply popped this in to the player back in May and asked my family to enjoy it "cold", I doubt whether they would have been able to.
As it is, we loved learning about the Civil War, the genteel South just before war hit, and the protracted period of Reconstruction after it. GWTW allows you to see the toll of war on people in a powerful way. Beloved characters die, people lose their land and struggle simply to eat. Characters make hard choices and undertake ruthless acts that they might not have ever done before the war. Babies are born, people struggle with love, and life goes on. We were all deeply moved by the drama. There is cruelty and kindness in relationships and some pretty tense, grown-up themes. But my kids loved the movie, because it is so brilliantly made.
The film is long, but I can't say that it is "too long", because the pacing is so good and so strong throughout that it ends up feeling just right. We couldn't wait to cue it back up the second night. The Technicolor is beyond breathtaking. This has to be one of the most beautiful films ever made. The costumes and landscapes are rich, but not too jarringly colorful. Scenes are muted, with wonderfully appropriate lighting. The film is stuffed with extras and deep acting as well as richly scored. It has massive spectacle value.
As for parent concerns: there are several scenes of violence - two of the most intense come when a soldier's leg is amputated and when Scarlett shoots a man in the face. There is a fair amount of implied sexuality - and allusions to a woman of ill-fame, though nothing overt is shown. And, there are multiple issues of racism. Obviously, the picture deals with the Civil War, there are issues of class, wealth, snobbery, and ruthlessness. But none of these is necessarily as problematic for family viewing as the problem of unfamiliarity with slower-moving, lushly dramatic story telling. We got a lot of value out of GWTW, but another family without the backdrop of experience with classics might not.
Iconic shot:
Read our reviews, recommendations, and commentary on classic movies. All with an eye toward family viewing.
Showing posts with label Olivia de Havilland. Show all posts
Showing posts with label Olivia de Havilland. Show all posts
Tuesday, August 14, 2012
Tuesday, August 7, 2012
Adventures of Robin Hood (1938)
Why it's here:
We have seen this movie many times before and we love it. Because we watched the 1922 Douglas Fairbanks version in the festival, it seemed only right to nod to Errol Flynn (again) as well.
Specs:
About an hour and a half, gorgeous Technicolor. Available on dvd.
Our family's average rating (on a scale of 1-10):
8.33
More about the film and our reaction to it:
The Robin Hood story is such a compelling one and has to be one of the most frequently adapted tales ever. I haven't seen every single adaptation out there, but can still say with certainty that Errol Flynn's version is the best. :)
The level of intensity and violence is checked with a good deal of humor and joyous bounding through the forests, so that it feels good to watch. The audience is left in no doubt that times are difficult and people are facing harsh conditions (both political and financial). These themes aren't glossed over, but the overwhelming impression is that of good-hearted people doing the right thing and overcoming adversity while still retaining their good cheer. For these reasons, it makes great family viewing, especially for families who want to experience Robin Hood but aren't going to go the PG-13 (i.e. the Russel Crow, British TV series, or Kevin Costner) route to the story.
Even for those who do enjoy the more graphic modern versions of Robin Hood, there is still a great deal to love about this early one. For starters, this is one of the best early examples of a Technicolor film. It is absolutely breathtaking to enjoy in vibrant color. Then, there is the great energy and joy with which the Robin Hood story is told. There is a deep talented cast (including Alan Hale, Claude Rains, Olivia de Havilland, and Basil Rathbone). But probably best of all, is Errol Flynn's exuberant star-turn as Robin. Flynn is a compelling presence. He makes Robin cheeky, smart, confident and exciting.
There is a reason this is a classic - it is an extremely well made film.
Iconic shot:
We have seen this movie many times before and we love it. Because we watched the 1922 Douglas Fairbanks version in the festival, it seemed only right to nod to Errol Flynn (again) as well.
Specs:
About an hour and a half, gorgeous Technicolor. Available on dvd.
Our family's average rating (on a scale of 1-10):
8.33
More about the film and our reaction to it:
The Robin Hood story is such a compelling one and has to be one of the most frequently adapted tales ever. I haven't seen every single adaptation out there, but can still say with certainty that Errol Flynn's version is the best. :)
The level of intensity and violence is checked with a good deal of humor and joyous bounding through the forests, so that it feels good to watch. The audience is left in no doubt that times are difficult and people are facing harsh conditions (both political and financial). These themes aren't glossed over, but the overwhelming impression is that of good-hearted people doing the right thing and overcoming adversity while still retaining their good cheer. For these reasons, it makes great family viewing, especially for families who want to experience Robin Hood but aren't going to go the PG-13 (i.e. the Russel Crow, British TV series, or Kevin Costner) route to the story.
Even for those who do enjoy the more graphic modern versions of Robin Hood, there is still a great deal to love about this early one. For starters, this is one of the best early examples of a Technicolor film. It is absolutely breathtaking to enjoy in vibrant color. Then, there is the great energy and joy with which the Robin Hood story is told. There is a deep talented cast (including Alan Hale, Claude Rains, Olivia de Havilland, and Basil Rathbone). But probably best of all, is Errol Flynn's exuberant star-turn as Robin. Flynn is a compelling presence. He makes Robin cheeky, smart, confident and exciting.
There is a reason this is a classic - it is an extremely well made film.
Iconic shot:
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