Meet Me in St. Louis (1944)

Why it's here:
This is often regarded as one of the finest musicals ever made. We wanted to see if that was true, and loved that it would showcase the talents of Judy Garland as a young adult a few years after we became familiar with her as Dorothy.

Specs:
Two hours, gorgeous TECHNICOLOR! We watched on a dvd from the library.
The film is set in 1903-04

Our family's average rating on a scale of 1-10:
7.88

More about the film and our reaction to it:
As my husband put it: "this really is, truly, just good entertainment."  Sometimes films are "great" just because of how well made they are. Its not the story, or even the acting, that is the hook, but rather, the production as a whole. It is clear that every little detail has been attended to. It benefits from beautiful cinematography in the camera angles, the movement, and the placement of objects -- are all just simply lovely. The costumes are wonderful and so colorful -- the color being sharp, intense, but very real and moving. It is an excellent piece of technicolor cinema. The songs are excellent and the whole thing just has heart. It is hard to explain why its so good. It just is.

The first moment Judy Garland sang is the moment my breath stopped and my heart leaped into my throat. She was an incredible talent and an emotional performer. You respond to her voice in a visceral way. Some of the songs in the film will be familiar, even if you aren't a fan of musicals (Meet Me in St. Louis, Louis... Bang Bang Bang Went the Trolly... even, Have Yourself a Merry Little Christmas).

The underlying story involves a family in St. Louis at the time of the Worlds' Fair. The two eldest daughters and their beaux, form the main story, but smallest sister "Tootie", played charmingly by Margaret O'Brien is a source of constant comic relief with her obsession with death. It is an unusual film that constantly feels different from what the viewer is used to. It sort of strikes out its own territory with light comedy and music, but some silly or almost surreal aspects and a deeper emotional drama too. The whole thing is filmed with such a tight strong vision that, as you are watching (like with Citizen Kane), you just get the feeling that you are watching someone's masterwork (here, Vincente Minnelli's).

Iconic Image:

Maltese Falcon (1941)

Why it's here:
Suggested by a friend as a must see for our festival. Boy was she right.

Specs:
1 hr 40 minutes, black and white. Available on dvd

Our family's average rating on a 1-10 scale:
8.5

More about the film and our reaction to it:
There's something about star power. Regardless of the era, regardless of the genre, regardless of color, black & white, sound or silence, and regardless of whether you are 10 or 40, you know it when you see it. And Humphrey Bogart had it. The man just controlled the screen. His voice, his smile, his cool demeanor and great hats...all adds up to one sweet gumshoe.

This film was mesmerizing and compelling, even though we didn't always follow the clever plot,; we were spellbound by the drama. Its enough to say this is your basic detective story. Murder, intrigue, twists and turns, satisfying conclusion and, by the end, a wish that this were a series rather than a single movie. Because you just can't get enough of lines like "he's so full of holes he couldn't have gone far," "when I slap you you'll take it and like it," "keep on riding me and they're gonna be picking iron out of your liver," or the classic "I couldn't be fonder of you if you were my own son. But if you lose a son its possible to get another. There's only one Maltese Falcon."

Talented actors fill the cast - Mary Astor gives an incredibly interesting and believable performance as the apparently distraught sister who hands Bogart's Sam Spade the case and then turns out to be much much more. Fabulous Sydney Greenstreet is the big man sitting back and pulling all the strings. But most of all, the boys loved Peter Lorre as the wheezy-voiced, tightly-wound, nevertheless polite gangster Joel Cairo, with whom Spade has some tremendous interactions.

Iconic shot: