Sunday, December 30, 2012

Roman Holiday (1953)

Why it's here:
In order to see Gregory Peck and Audrey Hepburn, both new to our festival with this movie.

Specs:
2 hours, black and white

Our family's average rating:
8.88! Making it our second highest rated film so far! Just behind It Happened One Night.

More about the film and our reaction to it:
We loved this film, which in so many ways is just simply flawless. It is a simple enough love story -- a fish out of water theme of a pampered young princess who longs to be unencumbered out in the world. She gets her wish, for a day, anyway. With an amazing escort like Gregory Peck, its a wonder she didn't run off forever.

I don't want to give too much of the plot away because I really want you to see this film. Trust me that the story, though simple, is executed perfectly, lightly, effortlessly and beautifully. It is charming in almost every way (including the dialog, action, humor, pacing and even the bittersweet ending.)

It is perfectly cast with Audrey Hepburn in the role that made her a star and Gregory Peck as a journalist who stumbles upon the princess (or rather, is stumbled upon by her) and makes an exciting, likable, understandable man who at first means to capitalize on his find, but ultimately makes a very different choice. Eddie Albert as the beatnik sidekick adds so much comic counterpoint and balances out any chance that the film be too sappy or sentimental.

The filming choices (on location in Rome and black and white rather than color) are inspired. At a time when it was highly unusual to film on location in another country, the fact the almost every shot is quite spectacularly Rome – adds so much depth and timelessness to this story. As to the choice of black and white, which seemed somewhat surprising given the gorgeous scenery and high-end feel of spectacle about the film, I've heard two explanations: (1) That because the filmmakers insisted on the Rome location, to compensate for the extra cost they went with a cheap unknown actress and B&W cinematography; or that (2) B&W was intentional so that the backgrounds and beauty of the city didn’t overshadow the story and its characters.  I don't know which, if either of these explanations, is accurate, but am just glad they did it.  Because going against the obvious with black and white added a layer of seriousness about the project. It told me right off the bat, this was not going to be just light visual fluff; that something better was going to be going on.

We highly recommend this film.

Iconic shot:

No comments:

Post a Comment