Why it's here:
I couldn't wait to have us view this highly acclaimed film, which, for some reason, my husband and I never saw back in the day.
Specs:
Over 3 hours; PG
Our family's average rating on a scale from 1-10:
8.63
More about the film and our reaction to it:
I am ashamed at how little I knew about Mohandes Ghandhi. Having now viewed this film, I am proud to have prevented my own children growing up quite as ignorant. This was an amazing movie. I am assuming it is basically historically accurate (because as I have already confessed, I would not know otherwise) and it is one of the most inspiring and profoundly interesting history lessons we have ever had.
In sweep, scope and grandeur it reminded us of Lawrence of Arabia. In fact, like other epic films, its power is similarly in the cinematography, the incredible story, and the great drama of a particular moment in time (here, the rise of Indian nationalism and independence). It is like other epically powerful films also, in its huge, deep and talented cast. But it is unlike any other I can think of in that it has a main character of nearly perfect humanity who is simply a wonder to behold. Gandhi is a historical figure who is beyond compelling -- who is truly admirable and inspiring.
And Ben Kingsley's performance in the title role is flawless. It moved me. I think he moved us all. (By the way, the film received our highest rating since 1953's Roman Holiday and is our fifth highest rated film in the whole festival.)
For my part, I have not been able to stop thinking about the film since we watched it last week. I viewed it again with director commentary and then again without. I'm not quite sure who I am more in love with or find more inspirational right now, Kingsley or Gandhi.
While all of the above might make you think I am about to highly recommend this movie, you'd be wrong.
I recommend Gandhi very highly to adults. And I recommend it with caveats galore for children. First off, parents should know that the film is very long - well over 3 hours; complete with intermission (something we haven't had in a film since the 1960s). We watched it over the course of two nights. Still, it is not just the length, but the very dense story that should make parents think twice before showing. Know your kids and their maturity levels and their endurance before attempting this one.
Its primary audience certainly is not kids. I would imagine that even most teens might be bored out of their minds with this film. Unfortunately, if not bored, it is likely your kids will be horrified. Some of the events depicted here are grotesquely cruel, including the British massacre of a peaceful assembly of families, a scene of workers quietly advancing to be bludgeoned by troops, and a riot scene where parents with children are dragged from cars and many are killed, and other such horrors. As I write this, I'm wondering why the heck I enjoyed this film and how I was OK showing it, but, these scenes just felt (profoundly sad) but honest and true - not gratuitous. In fact, they were really the whole point. The idea that peaceful protest is stinkin' hard for the people doing it, is a point well made here when confronted with the violence they bore.
Gandhi has an amazing speech in the film when he is talking a group of the downtrodden in South Africa into his vision of protest. He says "We will not strike a blow, but we will receive them. ... They may torture my body, break my bones, even kill me. They will then have my dead body -- not my obedience."
Iconic Image
Read our reviews, recommendations, and commentary on classic movies. All with an eye toward family viewing.
Friday, July 25, 2014
On Golden Pond (1981)
Why its here:
The driving reason for its inclusion was the chance to see Henry Fonda and Katherine Hepburn again, this marking our 5th and 4th film by them, respectively. Toss in a 2nd Jane Fonda appearance and a heart-warming tale of family stress and love and how can you go wrong?
Specs:
1 hour 45 minutes; rated PG* (see parent cautions below)
Our family's average rating on a scale from 1-10:
8.25
More about the film and our reaction to it:
Henry Fonda plays Norman, and Katherine Hepburn plays Ethel, a married couple that vacations on Golden Pond in the summers. Norman is celebrating a birthday and their daughter Chelsea (Jane Fonda) comes to visit, along with her soon to be husband Bill and his teen son, Billy. Its a small cast and a small set-up. That's it right there. Not surprisingly, it is based on a play. The story is highly character-driven and very appealing. The cinematic vision is quiet -- shot in muted colors, with a slow methodic and peaceful tone.
But the acting is energetic and mesmerizing. Our family's favorite parts of this film centered on Henry Fonda's incredible performance (and the great dry humor of his character Norman) and Norman's relationship with his step-grandchild, Billy, a slightly bitter but basically compliant teen. (Layer on top of this, my own profound appreciation for the locale and gorgeous scenery and Katherine Hepburn's loveliness and skill, and I was in love with the picture).
While the film's primary audience is grown ups, it should be a hit with any kids that are old enough, or troubled enough, to recognize that family relationships and aging can be hard. Still there are several cautions for parents:
* First of all, language is much harsher than the PG rating would suggest (or than a modern PG would contain). "God damn" and "son of a bitch" and similar words make many appearances in the film; "bullshit" is highlighted in one comic scene. There is also some very frank discussion of sex, as Bill asks Norman for permission to sleep in the same room as Chelsea. The dialog goes on for several minutes making it clear that they are sharing the room in order to have sex and Henry Fonda crudely mentions the room in which he first violated her mother. Its a bit jarring.There are a couple of places in the film where we are meant to feel fearful (primarily for Norman's well-being) and it is clear he is in a declining state. This is unsettling for adults and kids, though it ends without tragedy. Its main themes are aging and debilitation/fear, dysfunctional connections with adult children, and quirky blended family -- as they say, "thematic elements." Still, we recommend it very highly for the right families. It is a beautiful film.
Iconic image:
The driving reason for its inclusion was the chance to see Henry Fonda and Katherine Hepburn again, this marking our 5th and 4th film by them, respectively. Toss in a 2nd Jane Fonda appearance and a heart-warming tale of family stress and love and how can you go wrong?
Specs:
1 hour 45 minutes; rated PG* (see parent cautions below)
Our family's average rating on a scale from 1-10:
8.25
More about the film and our reaction to it:
Henry Fonda plays Norman, and Katherine Hepburn plays Ethel, a married couple that vacations on Golden Pond in the summers. Norman is celebrating a birthday and their daughter Chelsea (Jane Fonda) comes to visit, along with her soon to be husband Bill and his teen son, Billy. Its a small cast and a small set-up. That's it right there. Not surprisingly, it is based on a play. The story is highly character-driven and very appealing. The cinematic vision is quiet -- shot in muted colors, with a slow methodic and peaceful tone.
But the acting is energetic and mesmerizing. Our family's favorite parts of this film centered on Henry Fonda's incredible performance (and the great dry humor of his character Norman) and Norman's relationship with his step-grandchild, Billy, a slightly bitter but basically compliant teen. (Layer on top of this, my own profound appreciation for the locale and gorgeous scenery and Katherine Hepburn's loveliness and skill, and I was in love with the picture).
While the film's primary audience is grown ups, it should be a hit with any kids that are old enough, or troubled enough, to recognize that family relationships and aging can be hard. Still there are several cautions for parents:
* First of all, language is much harsher than the PG rating would suggest (or than a modern PG would contain). "God damn" and "son of a bitch" and similar words make many appearances in the film; "bullshit" is highlighted in one comic scene. There is also some very frank discussion of sex, as Bill asks Norman for permission to sleep in the same room as Chelsea. The dialog goes on for several minutes making it clear that they are sharing the room in order to have sex and Henry Fonda crudely mentions the room in which he first violated her mother. Its a bit jarring.There are a couple of places in the film where we are meant to feel fearful (primarily for Norman's well-being) and it is clear he is in a declining state. This is unsettling for adults and kids, though it ends without tragedy. Its main themes are aging and debilitation/fear, dysfunctional connections with adult children, and quirky blended family -- as they say, "thematic elements." Still, we recommend it very highly for the right families. It is a beautiful film.
Iconic image:
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